TeenTix KC Blog Visual Arts

When Clarissa Knighten first started making jewelry it was as a form of therapy. She used the physicality of wire and beads to calm her mind and allow her to focus on something productive. Today, the artist has made complex, winding wearable art that can be found in museums, runways, and even TV screens. I got the opportunity to view her work in person at Kansas City Kansas Community College’s (KCKCC) Art Gallery. The pieces in this exhibit show how she elevates basic jewelry materials into beautiful pieces. 

One of my personal favorite components of Knighten’s art is how all the materials are the kinds of things you could find in a high school art class. She tends to avoid expensive materials, which allows the effort of her art to shine. In one of her most breathtaking pieces titled Connection Affection 2, she uses branches, copper wire, and pearlescent beads to evoke an insect's eggs laying upon a web. It contrasts the unnatural shine of plastic and copper with the natural scene of a spider's web delicately lying between branches. In one of her wearable pieces, Connection Affection 1, Knighten uses nearly the same materials to create a completely different vibe. The exhibition flows together and I was very impressed to see this unique and inspiring collection from a small community college gallery. I got a chance to talk to KCKCC’s Gallery Coordinator, Shai Perry, about this exhibit and what she's got coming up next. 

What is the story of our land? The people that lived on it, the people that cared for it, the ones who hunted and birthed and died on the land. It is our job to remember and honor these people who came before us and it is our job to care for the land now. This is what the art exhibit Shimmer on Horizons reminds us. Andrea Carlson, an artist of Ojibwe and European descent, was born and raised in Minnesota, where she draws much of her inspiration. She now lives in Chicago and has had exhibits in various places across the country. Andrea Carlson’s exhibit Shimmer on Horizons, which will continue through February 15th at the Kemper Museum of Contemporary Art, explores concepts of nature, colonization and Native American culture. Her work is striking and captivating. The unique qualities and subjects of her style invites introspection in viewers. 

Carlsons's art is beautiful; there is a boldness and strength to her work. She often uses distinct shapes and solid colors somewhat reminiscent of pop art. The incorporation of various objects, which sometimes feel discordant come together to create a collage-like appearance. She works on a large scale. When looking at one of her pieces, the horizon seems to spread out around the observer forever. What makes the sizes of her work so interesting, though, is that they are not done on one large canvas. Her works are broken up into smaller pieces that come together to create the image. She talks about how even though her work is on a very large scale, she likes to be able to break it down and hold it. The action of being able to hold her own work gives a type of intimacy. When looking at Carlson's art, you can see very clear elements that she incorporates into the image. There is a narrative; her work tells a story. Carlson’s art is not simply decoration, but it says something, and it invites the viewer to listen.

Bleach cleaner, microwave dinners, car headlights, candy bars, a bag of chips; these ideas don’t necessarily invoke couture unless, of course, you're Jeremy Scott. I had the honor and privilege to see Scott and Katherine Bernhardt’s breathtaking exhibit Match Made in Heaven. They are both known for taking ideas found in nursery’s, grocery stores, the back of pantry’s and elevating them to a new level. I found Scott’s collection of unique womenswear particularly captivating. 

His designs are loud and bright but maintain a level of chic elegance. It is no surprise that his designs have been worn by celebrities like Katy Perry, Charli xcx and Kim Kardashian. His outfits grace the line between junk drawer and New York fashion week in a seamless way. Although Scott’s pieces speak for themselves Bernhardt’s paintings are not to be ignored. She uses spray paint and acrylics to create vivid pieces that invoke a strange nostalgia for the 80s and 90s. Bernhardt’s paintings follow a free loose structure as the artist often tries to not think about what she’s painting when she paints. This makes her works incredibly expressive and truly one of a kind. This art show was quickly one of my favorites I’ve ever seen. My first experience with it was back in July when it had recently opened. I knew the Nerman Museum of Contemporary Art as a small art museum connected to a community college. I had only seen small modern exhibits when I had been dragged there for a field trip before. This exhibit changed my view completely.